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In the future of Verona all kisses dried out. The paralyzed lips were unable to pronounce again the wake of a virginal sex. On the broken path of failed visionaries, J. found herself, hoping to awaken from the abysmal naivety of love. In full disenchantment, she cut the white feathers of the coat that wrapped her and looked closely at R.'s face, free at last from the diffuse future of a Verona in love. The open coffin, illuminated by the water of the most beautiful vineyards, seemed to make R. happy between J.'s emotional disorder and the tearful life that she found worthless. In any case, J. did not want to give up, because without the anguish of love, without the anguish of that wait, she would degrade. The desperate breath would place J. before a confrontation with death and her stubborn acts, fighting against the spoiled war of youthful love; against a momentary memory of the way he dressed: a ridiculous and horrible way. This memory made her instantly lose said spoiled war of love, and because of her obsession with style, J. bled because of her greatest enemy: petulance. She could never accept that R. would never dress in that way that bothered her so much, so J. preferred to rise to eternity, rather than stop seeing R. in such ugly garments.
Text inspired by the work "Romeo and Juliet" by William Shakespeare and the film "Romeo + Juliet" by Baz Luhrmann.*
*translation of an original entry from May 7th, 2020.
Parish of the Immaculate Heart of Mary in Mexico City (Gabriel Mancera No. 415), a shooting location from Baz Luhrmann's "Romeo + Juliet".
Photo: Ddanielcruzz en Wikimedia Commons (edited)
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